Does a puppet always have to be animated to be alive?
Does it die when it leaves the puppeteer's hand?
Are there moments when the puppet is stronger when it is left alone on stage? Moments when the audience have to decide if it is an object or if it is still a character as strong as the performer next to it.
In this workshop we will explore, through movement and improvisation, how a puppet and a performer shares the stage.
We will look at how the performer works around the puppet, sometimes giving it life, sometimes not. We will look at the moments when the puppet leaves the hand of the puppeteer, the moment between animation and anti-animation to discover that perhaps the puppet really can have a life of it's own.
We will work with dance improvisations according to the method of Anna Halprin to discover our own movement potential and find different ways of physical contact with the puppet. Choreographic techniques will be used to discover a creative structure of a 'scene'.
We will find images, dances and stories that will be created in the space that contain their own meaning based on the techniques that we have discovered over the 5 days.
Suitable for all performers, dancers and puppeteers who are confident in body movement and who have some skill in puppet animation. The workshop will be held in ENGLISH
Things to bring: comfortable clothing to move in, water, and writing utensils. If you have, bring a puppet you would like to work with